rebuilding an existing artwork in code to reverse-engineer its logic. Manfred Mohr's Artificiata II traces a single diagonal path through all eleven dimensions of a hypercube. Reconstructing it meant 2,048 vertices, rotation across dimension planes, and per-axis projection that makes the lines emerge diagonal. Mohr, a jazz musician, called the series score-like, so a playhead sweeps across triggering piano notes, one scale per palette.